Andrea James is an actor, teacher, voice coach, producer, director, and transgender activist. If you’ve seen the film Transamerica, starring Felicity Huffman, you may recognize her from the opening scene, where the main character is working on her voice with a voice instruction video. She offers resources for people assigned male at birth who want to achieve an unquestionably female voice at genderlife.com. She also offers one-on-one tutoring via Skype or other means at http://www.genderlife.com/free-transgender-voice-resources/voice-consultation/.
If this post comes across sometimes sounding like a cheering section for Andrea as a personal voice guru, that’s only because I think she provides a tremendous service. I had been working on developing a full female voice for months before I came across her work, and as I’ve discovered since, all of the resources I was using were leading me down a path that would not be successful. Andrea’s videos made a big difference for me, and then some personal coaching made an even bigger difference. I’m not prepared to show off a complete female voice yet, but I’m getting closer every week, and there have been a few situations already where my voice has passed. (Note: I’m not receiving anything for posting this. I honestly do think she’s that great.)
Unfortunately, this post won’t be of much use to people assigned female at birth who want to achieve a male-sounding voice. For those taking hormones, this isn’t a great problem, as their voices will change like teenage boys’ voices do. My apologies that there’s nothing here in this post for those not pursuing hormones.
Andrea kindly consented to talk to me about developing a female voice.
JAMES BETH: When and how did you first discover that it was possible to find your female voice through training?
ANDREA: A pioneering figure in transition resources is Melanie Anne Phillips. She had put together some great materials on transgender voice, and she had an audio cassette and VHS tape available for sale. I used her techniques to good effect, but I felt I could make things a little simpler with a more streamlined approach based on techniques developed by Arthur Lessac and others. I taught a few people using these new methods, then eventually filmed it all 15 years ago in 2002.
JAMES BETH: It sounds as though you put some concerted effort into developing the method you teach. What drew you to doing this work yourself?
ANDREA: I initially planned to teach as a career, so helping others with transition goals has always felt like a nice substitute for that. I’m always happy when my students get results like these:
JAMES BETH: Wow, those are great examples!
How long does it typically take someone who’s practicing regularly to develop her female voice? Is it much easier for some people than others, or factors that make a big difference in how easily (or whether at all) a person develops her new voice?
ANDREA: Most people take 3 to 6 months to get a good working voice. The biggest factor for success is age at transition, with younger people far more motivated and more likely to succeed. Older people are more likely to have a mental block about it, afraid to push past the point where it does not sound good yet.
JAMES BETH: So motivation seems to be key–which translates, I would guess, into amount of earnest practice? From your point of view, can anyone at all can develop an identifiably female voice if they’re motivated enough, or are there some barriers that can’t be gotten past?
ANDREA: Anyone at all can do it if they can push past the mental barrier of imperfect progress. I have taught non-trans people these techniques, so it’s possible for anyone who is motivated. Here’s an analogy: some people say they’d like to get in shape, but what they mean is they’d like to BE in shape. They don’t want to do the work to be in shape. You have to want to GET in shape, and there is no quick solution. You have to do the work.
JAMES BETH: Does a person have much choice over the character of her voice as it emerges, or is there a particular female voice that tends to emerge for each person? To put it another way, is a female voice created or uncovered?
ANDREA: Most people have the same vocabulary, accent, inflection, enunciation, vocal tics and general tone. Those who achieve a voice that most listeners take to be female sound as if they have a twin sister. However, it’s important to note that there’s not a good voice, or bad voice, there’s your voice. If you like your voice and don’t want to change it, that’s great! It’s an important part of how you express yourself, and it’s up to you whether it’s worth changing it. Be loud and proud!